Mise à jour 2 mai 2024 par Redak
The Vuitton Foundation in Paris is inaugurating this Saturday an exceptional exhibition dedicated to “L’Atelier Rouge” (1911) by Henri Matisse, a work which greatly influenced American abstract painting. For the first time, the exhibition brings together all the works appearing in the famous painting, enriched with previously unpublished documents and archives to decipher this mysterious masterpiece.
A Historical Meeting of Works
The exhibition presents around fifteen paintings and sculptures formerly displayed in Matisse’s studio in Issy-les-Moulineaux. Among them, major pieces such as “Le Jeune Marin II” (1906), visible in France after 31 years of absence, and “La Corse, le vieux moulin” (1898), less known to the general public.
The painted plate, visible in the foreground of “L’Atelier rouge”, also comes from the MoMA collection, where the painting has resided since 1949. Ann Temkin, chief curator, underlines the importance of this work among the most important acquisitions. most prestigious in the museum.
Context and Revelation
The exhibition opens with a confession from Matisse to his patron Sergei Shchukin, announcing to him that he had done “something new”. Although Shchukin refused the work, it marked a turning point in Matisse’s approach, as he abandoned traditional representation for a radically abstract style, covering his painting in Venetian red in an almost revolutionary gesture.
Suzanne Pagé, the general curator, explains that the painting, initially received coldly in London and the United States, ultimately became a source of inspiration for American expressionist artists such as Mark Rothko and Ellsworth Kelly, thus making “L’Atelier red” a manifesto of abstraction.
Influence and Posterity
Ann Temkin says that “L’Atelier Rouge” represents one of Matisse’s most daring gambles, revealing a period of experimentation that would profoundly mark the course of modern art. Arriving at MoMA in 1949, the painting coincided with the rise of large formats and colorful compositions that defined American Abstract Expressionism.
The story goes that Rothko’s wife complained about his frequent visits to MoMA to see “The Red Workshop,” testifying to Matisse’s profound impact on Rothko’s artistic trajectory.
Ellsworth Kelly in the spotlight
At the same time, the Vuitton Foundation is honoring Ellsworth Kelly with the “Shapes and Colors” exhibition, in collaboration with the Glenstone Museum. This retrospective, the largest ever organized in Paris on Kelly, celebrates the artist known for his monochrome works and his influence on minimalism, testifying to the enduring legacy of “L’Atelier rouge”.
