Salvador Dalí (after) – Figura en una finestra (L Size) – M&S licensed print – Enchères

Offset lithography by the Spanish artist Salvador Dalí (*).
Reproduction of the work “Figura en una finestra”, a piece created by Dalí in 1925, belonging to the collection of the Museo Nacional Reina Sofía in Madrid.
High-quality thick paper edition (250g)
Published by Migneco&Smith.
Print authorized by the Gala – Salvador Dalí Foundation

Specifications:

– Dimensions: 80 x 60 cm
– Condition: Excellent (this work has never been framed or exhibited, and has always been kept in a professional art folder, and is therefore offered in perfect condition).

The work will be carefully handled and packaged in reinforced cardboard packaging. The shipment will be certified with a tracking number (UPS / DPD / DHL / FedEx).

The shipment will also include transport insurance for the final value of the work with full reimbursement in case of loss or damage, at no cost to the buyer.

(*) Salvador Felipe Jacinto Dalí was born in Figueres (Spain) in 1904. Between 1921 and 1925 he studied at the San Fernando Academy in Madrid where he befriended the poet Federico García Lorca and the filmmaker Buñuel. In 1925 the Dalmau Gallery of Barcelona organized his first personal exhibition, an exhibition after which Picasso and Miró began to take an interest in his work.
Dalí was first influenced by futurism, then by cubism (1925). In April 1926 Dalí traveled for the first time to Paris where he visited Picasso. On his second trip to Paris, in 1929, he attended the filming of Buñuel’s film “Un chien Andalou” of which Dalí was co-screenwriter, and Miró introduced him to the group of surrealists. Dalí met André Breton and ……Gala, his future wife and muse (then married to Paul Éluard). He joined the Surrealist movement in 1929. Dalí was interested in Freud’s psychoanalytic theories and defined his method as “paranoiac-critical.” He painted dreamlike and phantasmagorical spaces populated by symbolic elements: soft watches, crutches, fantastical animals, twisted figures. Dalí still participated in surrealist demonstrations and exhibitions after his exclusion in 1934. Dalí interpreted certain famous works in his own way, such as Millet’s The Angelus, offering several versions of them. Breton nicknamed him the “Avide Dollar”!
After the Spanish Civil War he politically aligned himself in favor of Franco. From the 1940s he declared that he wanted to move closer to reality and returned to a more classical pictorial expression, while continuing to imprint his personal fantasy on his works.
Recurring themes in both his painted and print works are woman, sex, religion, battles. Dalí appeared in peculiar performances throughout his career, mixing art and life, constantly staging himself. After ten years of effort, Dalí opened his own museum: in 1974, the inauguration of the Teatro Museo Dalí took place. Dalí’s last passion was “stereoscopic” painting (1975) and he presented his first “hyper-stereoscopic” work in New York in 1978.
Dalí—who described himself as a “cannibal,” “megalomaniac,” and a “polymorphic pervert”—died in Barcelona (Spain) in 1989. Attention Fin des enchères : 2026-06-12 20:12:55