Salvador Dalí (after) – Figura en una finestra – Offset lithography – 80×60 – M&S licensed print – Enchères

Offset lithography by the Spanish artist Salvador Dalí (*).
Reproduction of the work “Figura en una finestra,” a piece created by Dalí in 1925, and part of the collection of the Museo Nacional Reina Sofía in Madrid.
High-quality thick paper edition (250g)
Published by Migneco&Smith.
Authorized print by the Gala – Salvador Dalí Foundation

Specifications:

– Dimensions: 80 x 60 cm
– Condition: Excellent (this work has never been framed or exhibited, and has always been stored in a professional art folder, and is therefore offered in perfect condition).

The work will be carefully handled and packed in reinforced cardboard packaging. The shipment will be insured with a tracking number (UPS / DPD / DHL / FedEx).

The shipment will also include transport insurance for the final value of the work with full reimbursement in case of loss or damage, at no cost to the buyer.

(*) Salvador Felipe Jacinto Dalí was born in Figueras (Spain) in 1904. Between 1921 and 1925 he studied at the San Fernando Academy in Madrid where he befriended the poet Federico Garcia Lorca and the filmmaker Buñuel. In 1925 the Dalmas Gallery of Barcelona organized his first solo exhibition, an exhibition after which Picasso and Miró began to take an interest in his works. Dalí first let himself be influenced by Futurism, then by Cubism (1925). In April 1926 Dalí travels for the first time to Paris where he visits Picasso. On his second trip to Paris, in 1929, he attends the filming of Buñuel’s film “Un chien Andalou” in which Dalí is co-writer, and Miró introduces him to the group of surrealists. Dalí meets André Breton and ……Gala, his future wife and muse (married at the time to Paul Éluard). He joins the Surrealist movement in 1929. Dalí is interested in Freud’s psychoanalytic theories and defines his method as “paranoiac-critical.” He painted during that period dreamlike and phantasmagorical spaces populated with symbolic elements: soft watches, crutches, fantastical animals, distorted figures. Dalí continued to participate in surrealist manifestations and exhibitions after his expulsion in 1934. Dalí interpreted several famous works in his own way, such as Millet’s Angelus, giving several versions of them. Breton nicknamed him “Avid Dollar”!
After the Spanish Civil War he politically aligned himself in favor of Franco. From the 1940s he declares his desire to approach reality and returns to a more classical pictorial expression, without forfeiting the personal fantasy imprint on his works.
Recurring themes in both his painted and print works are woman, sex, religion, battles. Dalí stages himself in curious spectacles throughout his career, blending art and life, constantly performing himself. After ten years of effort, Dalí opens his own museum: in 1974 the inauguration of the Dalí Theatre-Museum takes place. Dalí’s last passion was “stereoscopic” painting (1975) and he presents his first “hyper-stereoscopic” work in New York in 1978.
Dalí, who described himself as a “cannibal,” a “megalomaniac,” and a “polymorphic pervert,” died in Barcelona (Spain) in 1989. Attention Fin des enchères : 2026-10-05 19:45:25